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The Deflationary Account of Meaning

Definition

Baggini's stated method (announced in the Introduction and cashed out in Chapter 10) is to treat "the meaning of life" not as one grand mysterious question but as a placeholder for many smaller, unmysterious ones. Once you separate the senses of "meaningful" — meaning as externally bestowed purpose, meaning as a goal beyond this life, meaning as a life being worth living for its own sake — most claims that "life is meaningless" turn out to be true only in the first two senses and false, or simply not addressed, in the third. Declaring life meaningless overall is then an equivocation: sliding from "meaningless in sense A" to "meaningless, full stop."

In the Book

Chapter 10 confronts Charles Schulz's cartoon line — "no purpose, no direction, no aim, no meaning, and yet I'm happy" — and Camus's demand that we confront life's "absurdity." Baggini argues both men are really only denying two specific things established earlier in the book: that lives were created with a purpose in mind (Chapter 1's verdict on naturalism) and that purpose can be indefinitely postponed to a goal beyond this life (Chapter 2's verdict on the why/because regress). Neither denial licenses "therefore life is meaningless" once you admit the third sense — a life worth living for its own sake — which the book spends its middle chapters defending. Baggini even diagnoses why some (Camus's temperament) insist on gloom while others (Schulz) shrug: not a disagreement about facts but a difference in emotional response to the same facts, which he calls "existential snobbery" when it insists distress is the only honest reaction.

Why It Matters

This is a general debugging tool for arguments that trade on a word doing several jobs at once: when a claim like "X is meaningless / worthless / pointless" feels devastating, check whether it's actually true in every sense of the word being used, or only in the narrowest one, with the rest smuggled in by the word's rhetorical weight. It applies well beyond "meaning of life" — to any debate (about work, art, institutions) where a single loaded term is quietly carrying multiple, separable claims.